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Osborne on Opera: A Critical Blog

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The Naive, Hyperreality, and Filthy Lucre, Part Two: “The Dutchman” Concluded

April 11, 2020

Stay well, all!

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← The Naive, Hyperreality, and Filthy Lucre: Girard’s Ideas About “The Flying Dutchman.” Minipost: “Dutchman” Follow-Ups →

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About this Blog

The rumored surge in popular demand for yet another opera blog having failed to materialize, a few words about what can be expected here may be in order. That word “critical,” I’d say, is the key. In my dictionary, the first definition of “criticism”  reads, “The act of making judgments; analysis of qualities and evaluations Continue reading…

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Osborne on Opera

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Possibly the best opera critic anywhere online
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