Fremstad, Nilsson, Welitsch, and Others, and The Met’s New “Salome.”

 

 

 

 

 

 

 

                                                               

 

 

 

 

 

 

 

All operas benefit from respect for the times and places of their settings, for the obvious reason that those were parts of their creators’ imaginings as they worked, and so generated aspects of the music. But few owe as much to time and place as Salome.